29 UMMA Objects
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Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman (American (North American))
My Father Reminisces
1937
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.2
This photograph depicts a desert landscape with a craggy rock formation rising in the far distance in the central portion of the horizon. A dirt road extends through the foreground. The top half of the image depicts a vast, cloudless sky in tones of blue and pink.
Richard Misrach (American (North American))
Shiprock Triptych #1
1987
Gift of Jack A. and Noreen Rounick
2004/2.59.1
This photograph depicts a desert landscape with a craggy rock formation rising in the far distance in the central portion of the horizon. A dirt road extends through the foreground. The top half of the image depicts a vast, cloudless sky in tones of blue and gray.
Richard Misrach (American (North American))
Shiprock Triptych #3
1987
Gift of Jack A. and Noreen Rounick
2004/2.59.3
This work shows a black and white photograph of a crowd of people outdoors, with trees in the background. On the left is a uniformed policeman holding a dog on a leash in one hand and a club in the other. In the center area there is a man, with his back to the viewer, who is being attacked by two dogs. One, controlled by another policeman, is ripping his clothing and the other, with teeth bared, is attacking his right hand. In the crowd there are men watching the attack and looking at the policemen.
Andy Warhol (American (North American))
Birmingham Race Riot
1964
Gift of Graham and Marianne Smith
1986/1.194.5

Richard Hamilton
Kent State
1970
Gift of Graham and Marianne Smith
1991/2.84

Rudy Pozzatti
Julius Caesar
1963
Museum Purchase
1967/1.42
A man laying on his back dominates this landscape-oriented black-and-white lithograph. He is fully dressed. Positioned diagonally across the foreground and depicted using dramatic foreshortening, his face is near the viewer (a mustache is visible, and he wears a hat reminiscent of a kepi, or military hat), while his stiff upturned feet lead the eye towards the ramshackle wall of paving stones that cuts horizontally across the top third of the composition. A pair of feet peeking out of striped trousers jut into the lower right foreground, while stones and possibly a wheel fill the left foreground. Hazy fences and buildings rise in the background empty stretches of street.<br /><br />
The work is signed on the stone (on one of the piled-up paving stones) in the front left foreground: “Manet / 1871”.<br /><br />
Title printed in typeface below the image: "GUERRE CIVILE"
Édouard Manet (French (culture or style))
Guerre Civile
1871
Museum Purchase
1961/2.20

Francisco Dosamantes
Lupe
1911 – 1987
Joseph and Mildred Hartsook Collection
1987/1.162

Mark Godfrey
John Ehrlichman, Watergate Hearings
1973
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.236
Two men sit at the center of the print with inquisitive looks upon their faces. Certain facial elements are distorted. They stand with shoulders haunched, and pupiless eyes. Both sets of arms are restrained by handcuffs, and they are handcuffed to one another at the center of the print.
Ben Shahn (American (North American))
Portrait of Sacco and Vanzetti
1958
Gift of Dr. and Mrs. Irving F. Burton
1975/1.70

Burhan Cahit Doğançay (Turkish (culture or style))
Faschismus
1997
Anonymous gift
2005/2.64
People standing in a grassy field holding politcal signs.
Robert F. George
Election Day at Battlesboro High School
11/07/2000 – 12/31/2013
Gift from the Collection of David S. Rosen MD, MPH
2014/2.188
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